Screening of "The Ode," based on the novel Ode to Lata by Ghalib Shiraz Dhalla, starring Sachin Bhatt (Bombay Dreams), Wilson Cruz and Sakina Jaffrey.
3rd i is honored to co-present CHUPPAN CHUPAI / I AM GAY AND MUSLIM at Frameline37, the San Francisco International LGBT Film Festival.
When: Saturday, June 15th, 8pm Where: Lam Research Theater Yerba Buena Center for the Arts, San Francisco
An evening of satire, comedy and drop-down drag Bollywood 'ishtyle', featuring Kareem Khubhchandani's LESSONS IN DRAG, and Anuj Vaidya's BAD GIRL WITH A HEART OF GOLD. Presented in collaboration with the APICC's United States of Asian America Festival and QCC's National Queer Arts Festival.
"Powerless" asks, "would you risk your life to flip a switch?" In Kanpur, India, putting oneself in harm's way to deliver electrical power is all too common. This vibrant exposé gives a whole new meaning to the words "power struggle."
As part of The EPA (Environmental Protection Agency Region 9) Asian American/Pacific Islander Heritage employment program, 3rd i co-presents The Island President at the EPA. May 21, 2013.
Admission to the museum will be free all day and there is no additional cost to watch the films! Click here for the full schedule of films.
Vivek Bald, writer, filmmaker, and MIT professor, reads from his new book Bengali Harlem and the Lost Histories of South Asian America and presents clips from his work-in-progress, the film In Search of Bengali Harlem, and an excerpt from his rarely seen 2003 documentary Mutiny: Asians Storm British Music, about South Asian youth, music, and anti-racist activism in 1970s-90s Britain.
3rd i Films is pleased to co-present two films at the SF International Film Festival: Kim Longinotto's Salma, and Ali Mosaffa's The Last Step.
Discover untold stories of South Asia's 1947 Partition.
AIF (American India Foundation) in association with 3rd i Films presents two short films followed by discussion: "Lucky," directed by Avie Luthra and "Kunjo," directed by Terrie Samundra.
3rd i is pleased to co-present the following films at CAAMFest in San Francisco: The Reluctant Fundamentalist, Midnight's Children and Dosa Hunt.
A Re-Telling of the Indian Epic Poem by Jean-Claude Carriére, renowned French playwright, screenwriter, author, actor and raconteur par excellence who spent eleven years in India, tracing the Mahabaharata’s roots in civilization, geography and its relevance in modern India.
Delving deep into the underbelly of India’s film industry, where back-alley producers churn out everything from pulpy horror movies to soft-core porn, Miss Lovely takes us back to Mumbai of the 1980s with lurid detail and intoxicating style.
Omi Vaidya in Person. This eye-opening documentary reveals the fascinating world of Indian cinema, and the culture around it, in a way you’ve never seen before.
This family-friendly Tamil film mixes comedy, romance, melodrama and musical montage sequences to serve up a gentle satire of rural traditions and superstitions.
Lyrical romance and lush cinematography intermingle in this neorealist feature debut that was a major award winner at the Sundance Film Festival. Syeed intricately weaves together contemporary ecological issues with traditional culture, as an unlikely romance blossoms between a boatman and a scientist on the breathtaking Dal Lake in Kashmir.
Surjo Deb in Person. Part gossip, part intellectual debate, adda is the quintessential Bengali pastime. Following a number of ongoing addas at street corners, cafes, markets and living rooms, this documentary by Surjo Deb is a free-flowing, intimate portrait of a city and its people in a time of transition: as the Calcutta of old turns into the 21st century Kolkata.
Tuni Chatterji in Person. Two docs that can only be described as visual poetry. A contemplative dialogue between music, landscape and the ephemeral quality of cinema, Okul Nodi (Tuni Chatterji) seeks the origins of Bhatiyali, the river music of Bangladesh. Shot on exquisite 35mm, I Am Micro (Shumona Goel/Shai Heredia) invokes the memories of an experimental filmmaker to deliver an ode to independent cinema.
In this doc, a companion piece to City of Photos, Jain interviews members from Calcutta’s oldest families and captures the stories around their family albums. What emerges is a powerful meditation on the tangled relationship between memory, history, and the photograph.
