A stellar piece of cinema verite, this lyrical portrait of youth and street-life in Karachi is imbued with the resilience of its subjects! Seen through the eyes of an ambulance driver and a runaway boy, the film is an ode to childhood and has been rightfully compared to Truffaut's The 400 Blows. Produced by the Sundance Film Institute, this is one film that should not be missed!
Filmmakers in Person!
Journey across the gender lines with these two intimate docs that offer engaging accounts of the challenges and joys of the transformative process. The feature presentation follows one year in the life of Maya (formerly Mohammed), a Tamil Muslim, as she journeys to Singapore to have sexual reassignment surgery. With short: Performing Girl
Filmmakers in person!
Emmy-nominated Bay Area filmmakers Monsen-Grainger and Newnham capture the inspiring stories of young South Asians as trail-blazing agents of change. The doc follows Amlan Ganguly as he mentors three children towards transforming lives in the slums of Calcutta. With short: Bhiwani Junction
Join 3rd i Films and ICC, Milpitas for an outdoor screening of Yash Chopra's classic Deewaar. The story of two brothers, one a criminal (Amitabh Bachchan) and the other a police officer (Shashi Kapoor), who come head-to-head in a quintessential Bollywood style face off between good and bad.
"Let's Be Out, the Sun is Shining" is about a mismatched couple in a world of actors/musicians/artists who live potentially displaced in Bushwick, a Latino immigrant neighborhood of Brooklyn, New York.
3rd iFilms co-presents at Laborfest, the FilmWorks United International Working Class Film & Video Festival: The Machinist (Directed by Hannan Majid & Richard York) and Bhopali (Directed by Van Maximilian Carlson).
Screening of "The Ode," based on the novel Ode to Lata by Ghalib Shiraz Dhalla, starring Sachin Bhatt (Bombay Dreams), Wilson Cruz and Sakina Jaffrey.
3rd i is honored to co-present CHUPPAN CHUPAI / I AM GAY AND MUSLIM at Frameline37, the San Francisco International LGBT Film Festival.
When: Saturday, June 15th, 8pm Where: Lam Research Theater Yerba Buena Center for the Arts, San Francisco
An evening of satire, comedy and drop-down drag Bollywood 'ishtyle', featuring Kareem Khubhchandani's LESSONS IN DRAG, and Anuj Vaidya's BAD GIRL WITH A HEART OF GOLD. Presented in collaboration with the APICC's United States of Asian America Festival and QCC's National Queer Arts Festival.
"Powerless" asks, "would you risk your life to flip a switch?" In Kanpur, India, putting oneself in harm's way to deliver electrical power is all too common. This vibrant exposé gives a whole new meaning to the words "power struggle."
As part of The EPA (Environmental Protection Agency Region 9) Asian American/Pacific Islander Heritage employment program, 3rd i co-presents The Island President at the EPA. May 21, 2013.
Admission to the museum will be free all day and there is no additional cost to watch the films! Click here for the full schedule of films.
Vivek Bald, writer, filmmaker, and MIT professor, reads from his new book Bengali Harlem and the Lost Histories of South Asian America and presents clips from his work-in-progress, the film In Search of Bengali Harlem, and an excerpt from his rarely seen 2003 documentary Mutiny: Asians Storm British Music, about South Asian youth, music, and anti-racist activism in 1970s-90s Britain.
3rd i Films is pleased to co-present two films at the SF International Film Festival: Kim Longinotto's Salma, and Ali Mosaffa's The Last Step.
Discover untold stories of South Asia's 1947 Partition.
AIF (American India Foundation) in association with 3rd i Films presents two short films followed by discussion: "Lucky," directed by Avie Luthra and "Kunjo," directed by Terrie Samundra.
3rd i is pleased to co-present the following films at CAAMFest in San Francisco: The Reluctant Fundamentalist, Midnight's Children and Dosa Hunt.
A Re-Telling of the Indian Epic Poem by Jean-Claude Carriére, renowned French playwright, screenwriter, author, actor and raconteur par excellence who spent eleven years in India, tracing the Mahabaharata’s roots in civilization, geography and its relevance in modern India.
Delving deep into the underbelly of India’s film industry, where back-alley producers churn out everything from pulpy horror movies to soft-core porn, Miss Lovely takes us back to Mumbai of the 1980s with lurid detail and intoxicating style.
