A beautifully nuanced, sensual and insightful feature film that premiered at Cannes, Sir delves into the spiritual and romantic connections of two people living parallel yet entirely separate lives. Rohena Gera tentatively explores the forbidden attraction between Ratna (Tillotama Shome), a maid, and her employer Ashwin (Vivek Gomber), a wealthy Mumbai bachelor.

The film gains gravity for its insight into Indian social rigidities that tether both impoverished villagers and well-heeled urbanites, with each character quietly yearning to break free from the narrow bounds of their class and gender-based expectations.

Drawing on similarities to two other critically acclaimed films, Lunch Box and In The Mood For Love, Gera achieves a particular delicacy in her directing, combining an appealing, understated sweetness with an edge, and thwarting all expectations and stereotypes of a typical Indian love story.

“Gera is a female Indian director making her mark celebrating women’s empowerment against dire economic odds… her direction exudes a simple grace that transcends local issues.”
– Variety, Cannes Film Festival Review